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As many of us had to pivot during the past two years, “new” content became the buzzword. For our industry, new content is, but is not limited to, feature films, concerts, theater presentations, live presentations, gaming, etc. GSCA and the GSCA Industry Development Committee review the results of the New Content Survey that was conducted the summer of 2022. It is the hope of the committee that this survey serves as a catalyst for ongoing discussion regarding this topic. The learnings from the survey will serve as a starting point for future conversations, webinars, seminars, etc., that will benefit all parts of our industry.  Presented by GSCA Industry Development committee Co-Chairs Caroline Borgudd, Cosmonova, and Jim Remar, Cosmosphere.

Click here to download a PDF of the survey results/webinar presentation

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August 2022 Update

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In August 2022, GSCA conducted a follow-up to the State of the Giant Screen Industry survey. The previous versions were completed in August 2020 for presentation during the Virtual 2020 Conference, April 2021 for presentation during the Virtual Film Expo, and October 2021 for presentation during the GSCA Member Meeting in November 2021 (see those versions below). As with the previous versions, the key contact at current and recently lapsed GSCA member organizations from all sectors of the industry (theaters, production, distribution, and related businesses) received the survey. Results of this Q3 2022 update were compiled and presented by GSCA staff during the GSCA Member Meeting held on October 12, 2022, via Zoom. We hope to continue doing this survey once a year to gauge industry practices and trends, and to measure industry confidence. Click here to download a PDF of the survey results

October 2021 Update

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In October 2021, GSCA conducted a follow-up to the State of the Giant Screen Industry survey. The previous versions were completed in August 2020 for presentation during the Virtual 2020 Conference and in April 2021 for presentation during the Virtual Film Expo (see those versions below). As with the previous versions, the key contact at current and recently lapsed GSCA member organizations from all sectors of the industry (theaters, producers, distributors, and other related businesses) received the survey. Results of this Q4 2021 update were compiled and presented by GSCA staff during the GSCA Member Meeting held on November 10, 2021, via Zoom. We hope to do this survey once a year going forward to gauge industry practices and measure industry confidence. Click here to download a PDF of the presentation slides, and you can watch the recording of the results presentation below.

 

March 2021 Update

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A candid, data-driven update on the state of the GS industry, this presentation identifies the hopeful signs as well as the challenges facing all stakeholders in this industry’s recovery. We profile GSCA members’ attitudes about business prospects for their own organization and the industry overall. As the follow-up to the identically named session at the GSCA Virtual Conference in September 2020, this new State of the GS Industry session captures the results, shares the analysis, and spots the key trends from a new survey of all GSCA member sectors. A snapshot of GS theater re-openings and film release schedules is provided too.

 

August 2020

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In August 2020, GSCA and Paul Fraser of Blaze Cineworks conducted a comprehensive survey of all our Association's major segments, looking at not only day-to-day issues but also future plans and industry-wide concerns. Different survey versions were sent to producers; distributors; and manufacturers, suppliers, consultants & other businesses. While the survey was customized for each industry segment, questions about the GS industry as a whole and about the GSCA were common to all surveys. GSCA Chair Alan Nursall and Paul Fraser presented the results during GSCA Virtual 2020 on September 22-24, 2020. Included below are PDFs of results from each industry segment, Paul’s PowerPoint presentation for GSCA Virtual 2020, as well as the recording of the presentations made by Alan and Paul.

• Paul Fraser's The State of the Giant Screen Industry PowerPoint Presentation
• The State of the Giant Screen Industry Survey Results: Theaters
• The State of the Giant Screen Industry Survey Results: Producers & Distributors
• The State of the Giant Screen Industry Survey Results: Manufacturers, Suppliers, Other Businesses

 

In mid-2019, the GSCA Member Services Committee conducted an extensive survey to understand how giant screen theaters structure their operations. The survey included questions about ticket prices, programming, attendance, capture rates, advertising and marketing budgets, staffing, concessions, and much, much more. The results are of value not only to theaters but to filmmakers and distributors as well so the entire industry can better understand how programming is constructed and what theaters need to be successful.

A new survey by Paul Fraser of Blaze Cineworks shines a light on current GSCA member theater ticket price strategies and structures, and how they’ve changed since the 2015 edition of this worldwide survey. Since ticket price data was collected from theater websites, a review of best and worst practices in selling tickets online is included.

Amazon Adventure was funded in part by the U.S. National Science Foundation (NSF), Innovations in Development project. The centerpiece of the project, the Amazon Adventure film, is a 45-minute giant screen film produced by SK Films. The film is based on the true story of Henry Bates’ 11-year journey through the Amazon in the 1850s, focusing on his quest as a young man to find evidence of species change. The project also included a live stage presentation for use at informal science education institutions and educational resources.

All NSF-funded projects require formative and summative evaluations by an independent firm. Knight Williams Inc. conducted the evaluation for this project. The summative evaluation of both the immediate and longer-term impacts of the film on a general audience of adults was based on viewers of Amazon Adventure at giant screen theaters at Pacific Science Center in Seattle, WA; Museum of Discovery & Science in Fort Lauderdale, FL; Discovery Place in Charlotte, NC; and Museum of Science in Boston, MA.

Click here for further background on the research

Click here to download the full NSF summative evaluation report

In 2014 the GSCA conducted an in-depth study of more than 5,000 theater-goers from 36 venues in 12 countries to gain information on them and gauge their thoughts on the giant screen industry, theater experience, film content and more. Topline findings were delivered at the 2014 GSCA International Conference in Toronto and the final results were released in October. Log in with your member user name and password to access the full results report, the PowerPoint presentation with the topline findings that was presented at the GSCA conference in Toronto, and an audio recording of the Toronto presentation. Copyright © Giant Screen Cinema Association, 2014. All rights reserved.

Doing research on giant screen that addresses funders’ questions takes time and money. As it is not always possible to find the two, we must look to research that complements the industry in order to draw conclusions about the impact of the films. In 2015, Price, Lee, Kasal and Aguilera published the article Comparing Short-and Long-Term Learning Effects between Stereoscopic and Two-Dimensional Film at a Planetarium. The authors kindly allowed the article to be available to GSCA members. Please note that for copyright issues, we have been given permission to post the article without formatting or tables inserted. The information for the tables mentioned within the study appears at the end of the document.

In 2015, the GSCA Lifelong Learning Committee and the Research Task Force joined together to consider the question of the value of ancillary educational materials that are produced to accompany giant screen films and to understand how these materials were selected and developed, and the expectations for their use among the GSCA membership. We developed two matched surveys that included both multiple choice and open-ended questions. The Research Task Force survey was designed to understand how giant screen producers/distributors decide what ancillary materials to produce and their goals for the use of these materials; the Lifelong Learning Committee survey focused on the theater members to gauge their use and perceptions of the materials produced to accompany films. Click here for a blog post about the results. Click the link below for the results that Mary Nucci, Rutgers University, presented at the GSCA 2015 International Conference and Trade Show in San Francisco.

The final report from the Setting the Agenda for Giant Screen Research Workshop (which includes the evaluation report (Appendix G) from Knight-Williams Inc.) is now available and has also been posted to the Museum Screens CoP for review and comment. This report, renamed A Roadmap for Giant Screen Research, is intended to be used to provide direction for research in giant screen, not set direction. It is hoped that GSCA members will help to disseminate the report, provide comment and critique, and support and promote research on giant screen. Click here to download the report.

In 2015, the GSCA Research Task Force conducted a theater programming survey to capture usage and attitudes regarding various types of content that giant screen theaters have programmed in the recent past and plan to program in the near future. The results are of value of producers and distributors to learn insights about their theater customers, and theaters are able to see how their profile and perspectives compare to their peers. Click on the link below to download a PDF of the presentation Paul Fraser of Blaze Digital Cinema Works presented at the GSCA 2015 Filmmaker Symposium.

In 2015, GSCA conducted a survey of all its member theaters to gather data on ticket prices and strategies. The results were presented by Paul Fraser of Blaze Digital Cinema Works at the GSCA 2015 International Conference and Trade Show in San Francisco. Click on the link below to download a PDF of his presentation.

In February 2014, Paul Fraser of Blaze Digital Cinema Works, with cooperation from IMERSA and GSCA, conducted a survey of dome theaters. The survey had two goals: 1) capture the similarities and differences between the world's larger permanent fulldome theaters and the giant screen film dome theaters, and 2) to better understand the potential for convergence of these two sectors. The results of that survey, and a companion article interpreting the results (first published in the LF Examiner), are available below once you have logged in with your GSCA member user name and password.

In May/June  2013, GSCA conducted a survey of current, lapsed, and prospective members to guide the GSCA’s future direction, by assessing:

• Perceptions of the GSCA and the value it provides
• Opinions about the future direction of the association
• Opportunities for the GSCA to enhance the value it provides
• Opportunities to grow by engaging lapsed or prospective members

The questionnaire content was developed through a collaborative process that included:

• Focused discussion groups and the Future Directions session facilitated by Principled Innovations at the March 2013 Film Expo in Galveston.
• One-on-one stakeholder interviews conducted by Isurus and Friendly Giant Marketing with nine current and lapsed members representing all industry segments.
• Review of the survey questionnaire by GSCA staff and members of the Marketing and Member Services Subcommittee.

The first non-brand-specific international research program in the giant screen theater and film industry’s history, the GSTA’s Consumer Research Program, conducted in summer 2003, included both a viewer research study and a general population study in which current viewers, lapsed viewers, and nonviewers were interviewed. In 2004, key results and recommendations about how to use them to benefit the giant screen theater and film industry were shared through a series of articles written by Mary Kaye Kennedy for the The Big Frame. The full report and the series of articles that appeared in The Big Frame can be downloaded once you log in.

Does the current financial model for the production and exhibition of educational films work adequately for all involved? In order to answer this complex question, especially as it relates to the “for all involved” aspect, in 2001 the Giant Screen Theater Association (GSTA) commissioned a study to examine in detail the financial/business model of the industry.